Batik Art

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Artistry of batik represent artistry of picture above cloth for clothes becoming one of the culture of Indonesia epoch king family first. In the beginning batik was done in limited just in palace and the result is for the king's clothes and family and also its follower. Because of many follower of king which's kept out palace. So, the art of batik was brought by them gone out palace and done in their place.

Soon and later, in development of batik was imitated by closest people and spread out to be worked by of woman in it's household to fill spare time. Hereinafter, batik which is the beginning to be the families king clothes, later become the clothes for common people, women and men are wear of it.

White materials which was used at that time was resulted of homespun. While the colour of materials are used the original flora made by our selt for Indonesia, example : tree of mengkudu, tinggi, soga, nila and it's soda materials is made from dusty soda, and also it's salt is made from mud.

There are so many kinds of batik in Indonesia

including :

Batik Kraton

Javanese kraton (court) Batik is the oldest batik tradition known in Java. Also known as Batik Pedalaman (inland batik)

The palace courts (keratonan) in two cities in central Java are known for preserving and fostering batik traditions:

• Surakarta (Solo City) Batik. Traditional Surakarta court batik is preserved and fostered by the Susuhunan and Mangkunegaran courts. The main areas that produce Solo batik are the Laweyan and Kauman districts of the city. Solo batik typically has sogan as the background color.

• Yogyakarta Batik. Traditional Yogya batik is preserved and fostered by the Yogyakarta Sultanate and the Pakualaman court. Usually Yogya Batik has white as the background color. Fine batik is produced at Kampung Taman district. Beringharjo market near Malioboro street is well known as a retail batik trade center in Yogyakarta.

 Pesisir Batik (Coastal Batik)

Pesisir batik is created and produced by several areas on the northern coast of Java and on Madura. As a consequence of maritime trading, the Pesisir batik tradition was more open to foreign influences in textile design,

• Pekalongan Batik. The most famous Pesisir Batik production area is the town of Pekalongan in Central Java province. Compared to other pesisir batik production centers, the batik production houses in this town is the most thriving.

• Cirebon Batik. Also known as Trusmi Batik because that is the primary production area. The most well known Cirebon batik motif is megamendung (rain cloud) that was used in the former Cirebon Kraton. This cloud motif shows Chinese influence.

• Lasem Batik. Lasem batik is characterized by a bright red color called abang getih pithik (chicken lood red).

• Tuban Batik. Batik gedog is the speciality of Tuban Batik, the batik was created from handmade tenun (woven) fabrics.

• Madura Batik. Madurese Batik displays vibrant colors, such as yellow, red, and green. Madura unique motifs for example pucuk tombak (spear tips), also various flora and fauna images.

Indonesian Batik from other areas

• Priangan Batik or Sundanese Batik is the term proposed to identify various batik cloths produced in the "Priangan" region, a cultural region in West Java and Northwest Java (Banten). Traditionally this type of batik is produced by Sundanese people in the several district of West Java such as Ciamis, Garut, an Tasikmalaya; however it also encompasses Kuningan Batik which demonstrate Cirebon Batik influences, and also Banten Batik that developed quite independently and have its own unique motifs. The motifs of Priangan batik are visually naturalistic and strongly inspired by flora (flowers and swirling plants) and fauna (birds especially peacock and butterfly).

• Java Hokokai Batik. This type is characterized by flowers in a garden surrounded by butterflies. This motif originated during the Japanese occupation of Java in the early 1940s.

Still a lot of batik originated from outside the island of Java

including:

• Batik Borneo
• Batik Sulawesi
• Papua Batik
• Bali Batik
• Batik Nusa Tenggara

And many more other motif in Indonesia

Baduy Culture

Baduy Cultural Conservation

The Baduy community in Banten is an utterly unique and closed society, which can be reached via a 10 km village road from either Cibolegar or Cibungur village in Leuwidamar district. The 50 km road from Rangkasbitung is steep. In April and May, the Baduy community is closed to outsiders, as during this time it commemorates certain ceremonies, called Seba, the offering of part of their agricultural products to the Head of the District, Sub-Regent and the Chief Resident. During this ceremony the "Puun of Baduy" sends out a group of representatives of Baduy Dalam people as well as Baduy Luar to act as the community's spokesmen. When conducting this Seba ceremony the Baduy Dalam members refuse to ride any vehicle, instead, the distance of150 km is traveled on foot as proof of their perseverance. To enter this very special Baduy area, one should obtain written permission from the Rangkasbitung District Office stating the purpose of the visit, which may take one whole week to process.

Pendet Dance

Pendet Dance
Owner : Bali, Indonesia



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jaipong dance

Jaipong Dance
Owner: West Java, Indonesia




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Tangkuban Parahu

TANGKUBAN PARAHU

Tangkuban perahu is a volcano, 25 kilometers north of Bandung direction of Lembang. Its location is in between Sagalaherang village, Sagalaherang district, Subang regency and Cikole village, Lembang district, Bandung regency. This is Bandung's most famous tourist volcano just 28 km north of the city. This volcano offers many places to see and explore. Whether we look into the huge crater or hike down into it, stroll through the forest on its slopes, or simply enjoy the splendid panoramic scenery. Mt. Tangkuban Perahu is an interesting destination that everyone in the Bandung area is fond of visiting. When seen from Bandung, Mt. Tangkuban Perahu has a distinctive shape, like an upside down boat. Tangkuban Perahu means, in fact, "up-turned boat" This peculiar shape has stimulated the fantasy of the Sundanese people from early times as expressed in the Legend of Sangkuriang. Geologically, Mt. Tangkuban Perahu has played a significant role in the development of Parahyangan highlands. Eruptions have contributed immensely to the hills north of Bandung through lava flowing into the valleys and hardening into rock, thus forming big cliffs over which waterfalls leap. Likewise, mud flows have formed a semi-circular cone of gentle gradient (what geologists call "a fan"), which is now a mass that blocked the valley of the ancient Citarum River near present day in Padalarang (some 18 km west of Bandung), this caused a lake to form covering the whole Bandung plain.

Tangkuban Perahu is a volcano with three craters into which areas tourists can walk through. These three craters are: Kawah Ratu ("Queen Crater"), Kawah Domas ("Domas Crater"), and Kawah Upas ("Upas Crater"). Tourists can go down into the Domas Crater where exist many hot geysers in which they can boil eggs. Though the mountain appears peaceful, mild eruptions occurred in 1969, when Kawah Ratu spewed ash and barrages 500 m high. As recently as September 1992 it was closed to the public for a few days because unusually high seismic activity leads volcanologist to fear a new eruption. On the mountain's northern flank is an area called Death Valley, so named for its frequent accumulation of poisonous gases. On a reasonably clear day, from Kawah Ratu, the main crater, we can see not only the mountain range to the east, with Mt. Bukittunggul as its highest peak (2,209 m), but also two other in a northeasterly direction. The lower and nearer one is Mt. Tampomas (1,684 m) just north of Sumedang some 40 km away. To the right and about 90 km away is Mt. Ciremai close to Cirebon on the north coast. At 3,078 m, Mt. Ciremai is West Java's tallest mountain. At the foot of Mt. Tangkuban Perahu we see the Ciater tea plantation covering the rolling hills. Farther to the left are the northern coastal plains of Java, and on an extremely clear day we may even be able to see the Java Sea beyond.

Kawah Ratu, which means "Queen's Crater", is today just a big gray hole, which sometimes has a pool of water at its center. Poisonous gases sometimes accumulate in Kawah Ratu, thus making it somewhat of a risk to descend to the crater floor. Beyond the saddled shaped depression on the far side of Kawah Ratu is the still active Kawah Upas, the oldest crater on the mountain. On the very far western cliff we see a spot where all vegetation has been destroyed by constantly rising sulfurous vapors. On the crater walls, note the various layers of material consisting of rock, sand, and pebbles. Overtime, new craters have formed again and again in a rather consistent shift from west to east. The most well known of these is the Domas crater, but also there are other smaller ones in jungle on the mountain's northeastern flank. Facilities in Tangkuban Perahu Crater are comfortable parking area, souvenir kiosks, and restaurants.